Senseo 4 Neo

Science Fiction Coffee Makers


In this course, students delved deeply into the world of Science Fiction, undertaking a thorough analysis of selected movies to decipher their distinctive design languages. Iconic films such as “2001: A Space Odyssey,” “The Matrix,” and “Bladerunner (2049)” served as primary examples, with students examining various elements like color, light, shape, and the incorporation of futuristic technology. The initial task required students to create a comprehensive storyboard of their chosen film, capturing its essence and narrative flow. This was followed by an in-depth analysis focusing on the film’s design aesthetics, including its visual and thematic components.

From this analysis, students formulated a set of design rules, uniquely tailored to the aesthetic and thematic context of the film they studied. These rules were then creatively applied in the design of a Coffee Machine, ensuring that it resonated with the film’s distinct universe. The design process not only considered the Coffee Machine’s appearance but also its functional aspects and how they might fit within the film’s world.

The course reached its climax with students designing an advertisement poster for their Coffee Machine. This poster, along with a collage, effectively integrated a scene from the movie, either featuring the designed object, the poster, or both. This final project allowed students to blend theoretical analysis with practical design skills, culminating in a tangible representation of their understanding and creativity. The course’s methodology fostered an environment of creative thinking, pushing students to apply design principles in speculative and imaginative contexts, thereby expanding their perspectives on the potential of design in narrative and cinematic settings.

Institute
Dessau Department of Design

Students
Lukas Artmann, Anne Dimter, Angelique Gelhar, Nils Holbach, Isaak Ary Lieberwirth, Tim Portnoy, Anton Roppeld, Maximilian Rueth, Vanessa Rüpprich, Matthias Schmidt, Jennifer Schwartz

Supervision
Prof. Dr. Manuel Kretzer, Benjamin Kemper


Spicer by Jennifer Schwartz was inspired by the visual arts of Jodorowsky’s Dune.

C17-A4 by Nils Holbach follows design principles based on the 2009 movie District 9 from director Neill Blomkamp.

The concept of Ary Lieberwirth is strongly influenced by the aesthetics of Soviet space age design, particularly the 1972 movie Solaris.

Maximilan Rueth’s Wallace Coffee is set in Denis Villeneuve’s world of Blade Runner 2049 (2017).

Matthias Schmidt watched the 2012 remake of the classic Total Recall.

Institute
Dessau Department of Design

Students
Lukas Artmann, Anne Dimter, Angelique Gelhar, Nils Holbach, Isaak Ary Lieberwirth, Tim Portnoy, Anton Roppeld, Maximilian Rueth, Vanessa Rüpprich, Matthias Schmidt, Jennifer Schwartz

Supervision
Prof. Dr. Manuel Kretzer, Benjamin Kemper


Privacy Settings
We use cookies to enhance your experience while using our website. If you are using our Services via a browser you can restrict, block or remove cookies through your web browser settings. We also use content and scripts from third parties that may use tracking technologies. You can selectively provide your consent below to allow such third party embeds. For complete information about the cookies we use, data we collect and how we process them, please check our Privacy Policy
Youtube
Consent to display content from - Youtube
Vimeo
Consent to display content from - Vimeo
Google Maps
Consent to display content from - Google

info(at)materiability.com