Connector systems have long been the backbone of innovation in design and architecture, enabling the creation of complex structures and modular assemblies. In the mid-20th century, visionaries like Konrad Wachsmann revolutionized construction techniques with his development of universal connector joints, allowing for unprecedented flexibility and efficiency in building systems. The iconic USM Haller system further advanced this concept in the 1960s, setting new standards for customizable and reconfigurable furniture design that remain influential today.
In recent years, designers and researchers have expanded the possibilities of connector systems through digital fabrication technologies, developing solutions that are both highly functional and visually striking. Innovators like Joris Laarman have used 3D printing to craft intricate connectors that merge technical performance with artistic design. These advancements enable new forms of structural and spatial design, offering customizable solutions that can be precisely adapted to unique requirements and environments.
In this intensive one-week expertise seminar, Students explored generative design using Rhino and Grasshopper and the 3D-printing of custom made connector-systems.
Natural Fracture
The task was to adapt a preset in Grasshopper to develop a modular system that reflects a personal concept. My design, NATURALFRACTURE, features a cube where biomorphic nodes connect straight, uniform wooden rods. I intended to contrast artificial and natural elements: the plastic nodes mimic organic forms, while the wooden rods possess an unnatural precision. Initially, I explored geometric connections, but the design evolved into biomorphic shapes to highlight material interplay. transparent plastic was 3D-printed for the nodes due to its lightness and sculptural quality, while wooden rods emphasize simplicity and tactile warmth. This plug-in system can inspire modular furniture or art installations. Targeted at designers and architects, the project showcases the dynamic relationship between form, materiality, and nature.